Recorders being hand-made instruments, the pitches of multiphonics tend to be slightly different from instrument to instrument. Composers should work on this subject directly with players. As a general indication, some examples on few fundamental notes:
Example 01 | high | low | simultaneous | tremolo |
Example 02 | high | low | simultaneous | tremolo |
Example 03 | high | low | simultaneous | tremolo |
Example 04 | high | low | simultaneous | tremolo |
Example 05 | high | low | simultaneous | tremolo |
Example 06 | high | low | simultaneous | tremolo |
Example 07 | high | low | simultaneous | tremolo |
Example 08 | high | low | simultaneous | tremolo |
Example 09 | high | low | simultaneous 1 | tremolo |
simultaneous 2 | ||||
Example 10 | high | low | simultaneous | tremolo |
Example 11 | high | low | simultaneous | tremolo |
Example 12 | high | low | simultaneous | tremolo |
Example 13 | high | low | simultaneous | tremolo |
Example 14 | high | low | simultaneous | tremolo |
Example 15 | high | low | simultaneous | tremolo |
Example 16 | high | low | simultaneous | tremolo |
Example 17 | high | low | simultaneous | tremolo |
Example 18 | high | low | simultaneous | tremolo |
Example 19 | high | low | simultaneous | tremolo |